On Joining the Y

If it wasn't going to be Closing the Circle, perhaps the title of the book should have been Joining the Y, but while on the one hand the first required a subtitle to avoid confusion with other books with the same title, on the other hand Joining the Y might have been mistaken as a membership drive for a venerable youth institution, so Closing the Circle it is. However, I like the graphical notion of the Y as a symbol for the book, namely that it has two legs, ACIM and the Thomas Gospel, which come together in one Jesus. Just another way of looking at it, but it makes the point that the book is all about realizing that in truth, allowing for different times and places, the voice and the message never changed. This was the real promise of the Last Supper and the ritual that has been distorted as the Eucharist - Jesus promises that he is present to us in our mind whenever and wherever at our slightest invitation, exactly because he is not a body, he is not promoting the cannibalistic ritual Christianity has promoted instead. And the cover represents the one Jesus for all time, who is just the symbol of God's Love in our lives. We got lost, but we have the option of wandering back any time we like, and he comes in at our invitation.

The way it seems to be working out in practice is that the painting, Teach Only Love, on the cover really is the shortcut to the book, and I am gratified to see that it is being picked up by readers who previously did not know much about either ACIM or the Thomas Gospel. The first reports I received from Holland was that the picture practically made the book jump into people's arms. And the longer it is out there, I realize that my collaboration with the painter, Sam Augustin, is really a central feature of the book, and the fact that it's so inviting really is an integral part of the book itself. If a picture is worth a thousand words, the painting is better than any lenghty introduction.

Coincidentally, some people have asked why the two sources of light over Jesus' head in the cover art. Sam answered that in his mind that symbolized the omnipresence of Love, which then was focused in the presence of Jesus. It occurred to me that on some level it could also represent exactly the Y I'm talking about in this post, i.e. the two legs of ACIM and the Thomas Gospel, connecting to the one consistent manifestation of Jesus as the presence of Love.